neutroisenjolras:

if you ever try to befriend me and you expect to be in frequent contact with me i am so sorry. i do that with maybe two people and even then i often go days or weeks without saying anything before talking daily for a while. 

the point is if we dont talk that doesnt mean i dont like u and think about u a lot im just terrible at maintaining close relationships

Fluff prompt: Turns out, Bucky has absolutely terrible allergies in the spring and is a red-eyed, itchy, snotty sneezing mess. Steve thinks it’s secretly hilarious but also wraps Bucky up in a blanket and gives him headkisses and buckets of kittens, which it turns out he is unfortunately also allergic to

ohcaptainmycaptain1918:

“STEEB!”

Bucky’s always turned into a huge baby the second allergy season hits.

It’s funny, really; even back in the day, long before the war while they were growing up, Bucky’s always played it off like nothing phases him the moment things get tough. A broken bone or a bloody nose makes his eyes water, if only for a second. But he’s always been the harden my jaw and swallow it down like I didn’t feel a thing’ sort of guy.

Steve gets it, ‘cause he’s always been the same way. Maybe they’d conditioned themselves to be like that due to being around each other – perpetual rocks, forever feeling as though they have to be strong for the other’s sake and not let their weakness show, even though the other knows when it’s there, always.

But allergies turn Bucky into a five-year-old – and truth be told, it’s hard not to find it a little amusing these days. Because here you have this two-hundred-plus-pound ex-super assassin – with his long, unruly hair and stubbled cheeks; grey eyes, softer nowadays but still with a slight edge to them – suddenly doing nothing but pouting adorably, as he’ll wrap himself up tightly in a blanket on the couch and look more like a Bucky burrito than some sort of deadly killer.

There’s the list of go-to things that Steve knows usually work: stuffed-up, red-nosed Bucky likes his cuddles when he feels under the weather, even if he refuses to admit it. He gets a little bit bossy, but it’s about the only time when he ever does, so Steve doesn’t mind. He’ll make him tea and put on Disney movies (always starting with The Fox and the Hound, which seems to be Bucky’s favourite), and then wile away the day with his arms around Bucky; keeping him in a protective hold while the brunet sips from his mug… And sniffles, sneezes, and grumbles.

Bucky turns into a hermit on these days. He doesn’t ever want to leave the apartment, nor does he feel like company from any of the other Avengers. But he always wants Steve around. In fact, if Steve ever has to run out for a few minutes to grab some more ‘Stuffy Bucky’ essentials to get them through the day, he’ll always return to see that laughably small ball of blankets on the couch – hiding his best friend somewhere within the folds and with Bucky’s head peeking out – as Bucky glares at him, sniffs, and accuses him of taking ‘his sweet-ass time.’

Usually, Steve’s only ever gone for about ten minutes at most.

Steve likes feeling so needed, though; likes the way that Bucky puts his head on Steve’s shoulder while they watch movies because his hands are either cradling his cup of tea, or buried somewhere within the blanket. He likes how his best friend’s body molds against his so perfectly, and how Bucky will let Steve take his weight because he knows Steve has always wanted to carry it all.

Bucky will pout and complain and fuck pollen, fuck flowers, etc… But despite his agitation, all he wants when he’s like this is Steve. To hold him; to hear his quiet laughter, and the way his shoulder bounces against his cheek. He doesn’t comment on it – he doesn’t really these days anyways, because he’s still got such a long road ahead in terms of his recovery – but Bucky’s a total sucker for the moments when Steve will turn his face in and give the top of Bucky’s head feathery little kisses. Sometimes, his way of saying ‘thank you’ is to tilt his chin up and press his lips to Steve’s cheek, before silently looking back to the TV and saying nothing – and Steve’s heart always warms, like the sun shining down on the hottest summer days in Brooklyn.

Today, they’re in the middle of watching Hercules, and Bucky’s so tuckered out that he’s fallen completely asleep with his face pressed against Steve’s neck. It breaks Steve’s heart in that ’it’s so adorably sad that you just wanna snuggle them better’ way… How Bucky has to breath through his mouth because his poor nose is just so plugged up. There’s a tiny little whistling noise every time he inhales, and about three boxes of tissues’ worth of balled-up Kleenex littering the coffee table where Steve’s resting his feet.

Bucky’s allergies are hitting him on high alert today. When he’d done that thing he does where he’ll peck Steve’s cheek in an attempt to say ‘thanks for the cuddles’, Steve had actually turned his face into it to meet Bucky’s lips… only for Bucky to suddenly jolt against him and unexpectedly sneeze right in Steve’s face. Steve barked out a laugh, assuring Bucky that everything’s fine, as he promptly wiped his face and pulled his boyfriend closer. Not even ten minutes later, and Bucky passed out, still grumbling softly in his sleep.

When he wakes up later that afternoon, he’s in a foul mood, and nothing Steve does seems to help. Bucky’s head is pounding from sneezing so much, and he’s still so exhausted that whenever he tries to stand, he feels drained and just plops right back down on the couch. He’s even needier, and wants even more of Steve’s cuddles – which Steve is only more than happy to give, but now Steve’s shoulder feels boney, and can you stop shiftin’ around so much?? and This movie sucks, WHY hasn’t Gaston been roundhouse-kicked in the fuckin’ nuts yet?? and FUCK pollen, FUCK flowers, they can KISS my ASS!

Of course, Steve knows that none of this is directed at him. If Bucky thinks he’s snapped at Steve, it’ll take him a few minutes, but then he’ll curl up tighter to Steve’s side and break the silence by muttering, “M’sorry.” Steve thinks that sometimes, Bucky’s still not fully convinced that Steve won’t up and leave him; that he’ll get tired of Bucky and all the ways he’s still sometimes a bit of a loose fuse, because he’s trying the hardest he can, but sometimes, his moods are still easily erratic.

Steve would never leave him, and – being honest here – he’s used to Bucky being a bit of a sourpuss whenever he feels under the weather, so it’s never any trouble to just hug him closer and repeat, “It’s alright, Buck. What else are best friends for?”

Except now it’s dinner time and Bucky’s kicked over a chair because he’s frustrated by the headache-turned-migraine, along with the fact that he just had to endure a sneezing spree that lasted almost two solid minutes and left tears running uncontrollably down his cheeks. Then he lies down on the couch and tries to watch what’s on TV again, but he’s itchy all over and won’t stop sneezing and grumbling. The sneezing doesn’t stop, even after he’s eventually fallen asleep again.

Steve wishes he knew how to help – put a smile on Bucky’s face, if even for a second. He tries to think of what he can do…

And that’s how he winds up to the pet store and back again, carrying in his arms a box filled with four kittens.

It was a bit of a sporadic decision, but desperate times called for desperate measures, and Steve and Bucky have discussed getting a pet for a while now anyways. Bucky’s always liked cats; there used to be a stray one – thin as a post and smelled something awful – that would come by their old apartment back in the day. It hated Steve but seemed to adore Bucky. They couldn’t afford a proper pet back then, so Bucky sort of adopted that one in his own way – would find leftover scraps to give it, and water, and would sit outside with it while he smoked so it could curl up on his lap and meow annoyingly whenever Bucky stopped scratching its ears.

He’d named it Oscar, and like with all things of that nature, had pretended he hadn’t been crushed when Oscar suddenly just stopped coming by one day. “Probably got its stupid ass hit by a car,” Bucky had said, feigning nonchalance. Steve pretended not to notice the way Bucky still continued to put out a bowl of water every day, secretly hoping it would come back. But it never did.

Maybe four cats is a bit excessive, but the more the merrier (right?). The tower’s big, and Steve can already think of a few people in their team who wouldn’t mind having them around, and who doesn’t love getting a box of kittens?

Bucky’s more than a little surprised when Steve gives him his present, to say the least. At first, he takes the box and stares down at it like some sort of twelve-legged monster is going to pop out – as the tiny mewls can be heard from inside. Then little paws start poking out from the holes, and Bucky’s eyes look like they’re about to bulge out of his head.

“What the fuck…” he whispers, confused, and then opens up the top. Immediately, a little Scottish fold pops its head out and stares straight at Bucky; mewing loudly as if to say, ‘GET ME OUT OF HERE AND CUDDLE ME, HUMAN SLAVE!’ Bucky just keeps staring back at it like he doesn’t understand.

“You got me… kittens?” he asks slowly, looking to Steve with a frown; voice nasally and congested.

“Yeah.”

“…All of them?”

“Uh, yeah…” Steve says, chuckling. He might have some explaining to do with that one.

Bucky moves hesitantly. He lowers the box to the ground and then carefully pulls each little fuzzball out, one by one. He makes sure to keep them predominantly in his flesh hand as he holds them up and looks them over; treating them like glass, as if afraid to have something so small and delicate in his grip. Whenever he’s done looking at one, he’ll place it on the ground next to the box before fishing out another.

All four of them seem to be instantly enamoured with Bucky; he’ll place them on the ground, only for them to take turns pulling themselves up his legs by the fabric of his sweatpants, like he’s their personal jungle gym. His face is unreadable as he continuously scoops each kitten up and places them back on the floor – but after about ten minutes of them refusing to stop trying to crawl back into his lap, he gives up and slides silently from the couch to the floor to join them.

Steve sits on the arm rest and watches the four little kittens run around his boyfriend and play; leaping (and sometimes tripping) over his legs, or pouncing on him and each other. Bucky just watches and sniffles, but says nothing. Steve can see how curious Bucky is – about as easily as Bucky clearly trying not to show how much he’s completely loving this.

If this was back in the day, Bucky would probably be rolling around with them and laughing with delight. But these days, Bucky has a more difficult time feeling comfortable voicing his thoughts, or letting himself show when he’s happy. He never got to be happy with Hydra; had admitted once to Steve that he felt like if he let it show now, it’d be taken away from him. Sometimes, he’ll smile the way he used to, and lately, he’s taken to laughing again when he finds something funny. But most of the time, he doesn’t know how to express it. So he usually just pretends that things don’t phase him at all.

Unfortunately, it turns out that people can get new allergies over time… Because about thirty minutes later, Bucky’s eyes are bloodshot – wet and bleary – and he’s got a fresh batch of the sneezes all over again, coming back with a vengeance. He’s sneezing so fast that he’s actually looking to Steve in confusion, and Steve thinks he can physically see the moment when Bucky’s heart breaks, as he realizes that he’s now allergic to cats.

“These little fuckers got me itchin’ like crazy,” Bucky snaps impatiently, scratching his neck so hard that the skin is left an angry red. “Great – this was exactly what I needed.”

“Sorry, Buck,” Steve sighs, rising from the couch. “I thought they’d help.”

Bucky sighs in return, his hands thunking loudly off his thighs. One of the kittens immediately leaps for his metal hand and starts trying to nip Bucky, wanting him to play. “It’s not your fault, Stevie—” (He sniffles) “Thanks for doin’ this anyways, y’know? That was real nice.”

Steve can hear the guilt in his voice; one of those moments when he realizes how difficult he’s inadvertently being, and probably scared shitless all over again that Steve’s going to get fed up with him and tell him it’s over. Steve just smiles, his heart aching for his best guy (but also, still sort of wanting to laugh at the whole thing), and says reassuringly, “It’s alright, Buck. I’ll go gather up their stuff and see if any of the others want ‘em. If not, I can always bring them back; they’re bound to find a good home with someone.”

Bucky says nothing; just stares back at him with a frown. As Steve heads towards the kitchen to grab the bags he hasn’t had the chance to unpack yet, he notices that Bucky was lifting his metal hand and watching two of the kittens try leaping up after it.

He’s gone for a few minutes, namely so he can call a couple of the others and explain the situation to them. Bruce says he doesn’t mind taking one; Stark says he’ll take another. Natasha, on the other hand, says she isn’t a cat person, and Clint replies that he would rather get a dog. So that’s two of the four, and Steve already feels awful about breaking them up. Still, it’d been his own fault for getting that many kittens all at once. And it’s not as if Bucky can afford to keep them around if they’re going to rile up his allergies that badly.

But when he’s got everything ready and heads back into the living room to get the kittens themselves, he’s surprised to see Bucky lying on his back on the floor; metal arm pillowed behind his head as he sniffles and continues to sneeze – with the kittens crawling all over him. The Scottish fold is curled up on his chest, Bucky petting the fingers of his right hand over its head gingerly. His face is still unreadable – playing it off like he couldn’t care less about these cats. But Steve can see right through him.

He realizes instantly that Bucky has no intention of giving them up.

“Some of the guys said they could take two of ‘em,” Steve says slowly – casually – just to see if Bucky’s gonna keep up the charade. “So…”

“They can stay here,” Bucky replies, doing his best to sound apathetic – like this is just the most logical solution, and has nothing to do with how little Bucky wants to give them up.

Steve goes along with it. Pretending to play dumb, he says, “Buck, if they’re gonna get you sneezin’ all the time—”

“That’s what Reactine is for.”

“…You sure you’re gonna be able to handle having four kittens around all the time? You don’t have to keep ‘em if you don’t want em,” he adds, choosing his words carefully. It’s so hard not to sprout the grin that’s fighting so hard to show through.

Bucky shrugs one shoulder and replies, “Well, I already named them, so it’d just confuse them.”

One corner of Steve’s mouth curls up uncontrollably. He approaches him and goes to pick up one of the kittens; Bucky misinterprets it as Steve not listening to him and trying to take them away anyways. “Buck, they’ll be fine; if you don’t want em—”

“It’ll confuse them, Steve,” Bucky cuts in adamantly, now glaring. Steve notices him hold the Scottish Fold on his chest a bit closer. “Think of the kittens! They’re fine right where they are – you want them havin’ abandonment issues for the rest of their little feline lives? That what you want, Steve?”

Steve has to press his lips into a firm line to keep from breaking into a fit of laughter. Because Bucky’s nose is still bright red and his eyelashes are clumped together with how teary his eyes are. He keeps sniffling, and he sounds so indignant and offended… Yet he’s so blocked up and congested that every time he says Steve, it keeps coming out like Steeb.

So he bites his tongue – his heart overflowing again at the adorable sight of Bucky and his tooth-and-nail fight to keep these kittens that are already his anyways – and nods. Squatting, he pets a couple tiny heads of fur, and is secretly thrilled when none of them hiss at him the way Oscar used to. Faking the same nonchalance as Bucky, he straightens and goes to put the bags away in the kitchen again.

“Okay, Buck, you’re right,” he concedes. “We don’t wanna confuse them. I’ll go lay out their food and water.”

As he’s heading out of the room, Bucky calls out, “They the bowls you can put their names on?”

Steve beams to himself. “We can paint them on?” he calls back.

There’s a pause, and Steve thinks he can hear a smile in Bucky’s own voice when he replies, “Good. Let’s do that.”

—-

They’re all named Oscar. Oscar the First through Oscar the Fourth, to be exact. And they curl up all around Steve and Bucky that night while they watch their way through MulanSnow White, and Aladdin. Bucky’s got his head resting on Steve’s shoulder and two of the kittens – Oscars the First and Third – resting in his lap. Oscar the Second is fast asleep next to Steve’s thigh, while the Fourth prefers playing on the ground by Steve’s feet.

Bucky sniffles and sneezes and remains as silent and cuddle-hungry as ever… But he also has the tiniest little smile on his face. And he sure as heck gives Steve’s cheek a lot more kisses.

Their entire medicine cabinet is now stocked with boxes of Reactine.

Pride and Prejudice, and Consent

araeph:

Time to cleanse the palate with a bit of positive
relationship analysis!

One of the tropes that plagues, and has plagued, romance
fiction ever since the invention of the novel is the idea of female consent not
being necessary as long as the male is desirable and/or really wants her.
Often, the heroine will succumb either to her own desires or his, whether she
is entirely willing to do so or not, and that is framed as being analogous with
passion—even love.

Well, two hundred years before Fifty Shades of Grey played fast and loose with consent issues, I
present to you the antithesis of this trope in Mr. Darcy of Pemberley.

Elizabeth Bennet, the heroine of Pride and Prejudice, receives two proposals of marriage that are
eerily similar, despite the outward differences of her two suitors. Mr. Collins
and Mr. Darcy both spring unexpected and unwelcome proposals of marriage on
her, calling to light her family’s lack of financial security and connection,
seeing themselves as condescending to offer for her, and being completely perplexed
by her refusal to accept them.

Elizabeth to Collins: You could not make me happy, and I am
convinced I am the last woman in the world who would make you so.

Elizabeth to Darcy: I had not
known you a month before I felt that you were the last man in the world whom I
could ever be prevailed on to marry.“

Elizabeth’s words leave no ambiguity for either gentleman:
she soundly rejects them both in a similar fashion. From this, readers may infer
that since Darcy and Elizabeth end up together, it is Darcy who is persistent
in his romantic intentions after Elizabeth has said “no.” But in fact, it is
Collins who refuses to take no for an answer, and Darcy who never oversteps his
bounds.

The first thing Collins says after he hears her rejection is
that she cannot be serious in her refusal. 

 "I am not now to learn,” replied Mr. Collins, with a formal wave of the hand, “that it is usual with young ladies to reject the addresses of the man whom they secretly mean to accept, when he first applies for their favour; and that sometimes the refusal is repeated a second or even a third time. I am therefore by no means discouraged by what you have just said, and shall hope to lead you to the altar ere long.”

So elevated is his own sense of
self-worth that she has to explain to him that she did, in fact, mean what she
said:

  “Upon my word, sir,” cried Elizabeth, “your hope is rather an extraordinary one after my declaration. I do assure you that I am not one of those young ladies (if such young ladies there are) who are so daring as to risk their happiness on the chance of being asked a second time. I am perfectly serious in my refusal.”

What is the result? Collins still doesn’t take no for an answer, again:

  “Were it certain that Lady Catherine would think so,” said Mr. Collins very gravely – “but I cannot imagine that her ladyship would at all disapprove of you. And you may be certain that when I have the honour of seeing her again, I shall speak in the highest terms of your modesty, economy, and other amiable qualifications.”

  “Indeed, Mr. Collins, all praise of me will be unnecessary. You must give me leave to judge for myself, and pay me the compliment of believing what I say.”

And again:

  “When I do myself the honour of speaking to you next on this subject, I shall hope to receive a more favourable answer than you have now given me; though I am far from accusing you of cruelty at present, because I know it to be the established custom of your sex to reject a man on the first application, and perhaps you have even now said as much to encourage my suit as would be consistent with the true delicacy of the female character.”

  “Really, Mr. Collins,” cried Elizabeth with some warmth, “you puzzle me exceedingly. If what I have hitherto said can appear to you in the form of encouragement, I know not how to express my refusal in such a way as may convince you of its being one.”

And again:

   "You
must give me leave to flatter myself, my dear cousin, that your refusal of my
addresses is merely words of course. My reasons for believing it are briefly
these: – It does not appear to me that my hand is unworthy your acceptance, or
that the establishment I can offer would be any other than highly desirable. My
situation in life, my connections with the family of De Bourgh, and my
relationship to your own, are circumstances highly in my favour; and you should
take it into farther consideration that, in spite of your manifold attractions,
it is by no means certain that another offer of marriage may ever be made you.
Your portion is unhappily so small, that it will in all likelihood undo the
effects of your loveliness and amiable qualifications. As I must therefore
conclude that you are not serious in your rejection of me, I shall chuse to
attribute it to your wish of increasing my love by suspense, according to the
usual practice of elegant females.“

   ”I
do assure you, sir, that I have no pretension whatever to that kind of elegance
which consists in tormenting a respectable man.
I would rather be paid the
compliment of being believed sincere. I thank you again and again for the
honour you have done me in your proposals, but to accept them is absolutely
impossible. My feelings in every respect forbid it. Can I speak plainer? Do not
consider me now as an elegant female, intending to plague you, but as a
rational creature, speaking the truth from her heart
.“

And again:   

“You
are uniformly charming!” cried he, with an air of awkward gallantry;
“and I am persuaded that, when sanctioned by the express authority of both
your excellent parents, my proposals will not fail of being acceptable.”

In fact, Collins only stops
pursuing Elizabeth when her father puts his foot down and backs her refusal. Pride and Prejudice is a comedy, and so
the tone is light on the surface, but beneath the satire is a very real, earnest
desire to communicate how often women’s words—even their consent—are dismissed
as fickle or inconsequential. Seeing our heroine not fleeing dramatically from
a villain, but pursued by an entitled man who doesn’t take her words seriously,
we feel Elizabeth’s sense of outrage and how belittling it is for Collins to
act this way.

By contrast, though we might imagine a love interest like
Darcy to be overcome with passion and try to make her his own by any means,
Darcy is remarkably restrained and respectful without ever losing his ardent
love for the woman he wants to marry. The first divergence of his response from
Collins’ occurs right after he has been rejected:

   "And
this is all the reply which I am to have the honour of expecting! I might,
perhaps, wish to be informed why, with so little endeavour at civility, I am thus rejected. But
it is of small importance.“

The wording here is important. He doesn’t demand that she
explain why she rejected him, but
rather why she was so impolite about doing so (since he has no knowledge of her
dislike of him). He continues to be honest about his objections to her family’s
behavior and place in the world, and to be angry at her for defending the
duplicitous Wickham, but he never tries to convince her that she was wrong in
rejecting him, even though he still views her as a social inferior.

After their heated conversation, Darcy leaves with an
apology that he has occupied her for so long:

   "You
have said quite enough, madam. I perfectly comprehend your feelings, and have
now only to be ashamed of what my own have been. Forgive me for having taken up
so much of your time, and accept my best wishes for your health and
happiness.”

This is a far cry from Collins following Elizabeth around
after the proposal and trying to go over her head to her parents for support.

But wait—doesn’t the love interest write Elizabeth a letter,
convincing her to give him another chance?

No. Both Darcy’s letter and its method of delivery are
respectful of Elizabeth’s boundaries and her refusal of him.

It should be noted that an unmarried gentlewoman receiving
letters from a man she was not engaged to resulted in scandal if it were ever
exposed. If Darcy had wanted to compel Elizabeth to marry him, he would only
have had to deliver the letter publicly, or through the post. Instead, he
delivers the letter in person, when they are alone in a park and there is no
chance of discovery. It is still a bit of a risk, though, and so he asks (not
demands) that she read it:

“Will you do me the honour
of reading that letter?“

Right from the beginning, Darcy reassures Elizabeth that he
is not trying to impose on her or get her to accept him after she has made her
wishes clear:

 "Be not alarmed, madam, on receiving this letter,
by the apprehension of its containing any repetition of those sentiments or
renewal of those offers which were last night so disgusting to you. 

While it is more than apparent that her rejection stung and
he is still in love with her, he never brings up the subject of the proposal
again—the contents are a defense of the charges she had laid against his
character, as well as a warning against Wickham for her own safety. He doesn’t
ask for a second chance or demand she reconsider her words, even in light of
this new information. Moreover, he trusts her with the knowledge of his
sister’s near-elopement with Wickham (which could cause a scandal if
discovered), thus risking as much by delivering the letter as Elizabeth does by
accepting it. In every way, he trusts her judgment and keeps her wishes in
mind.

When they meet again at Pemberley, Darcy is trying to reform
his behavior. He is cordial to her tradesman uncle and aunt, and has divested
himself of the haughtiness that prevented her from seeing his true worth
initially. Darcy does not give himself permission to pursue Elizabeth as a
result of this change in character; it is only after they have met and talked
cordially that he asks her, not to speak with him alone, but to meet his
sister. In fact, he resists making romantic overtures for the duration of the
visit, which ends abruptly when Elizabeth discovers her sister’s elopement with
Wickham. And even there, when she and Darcy are accidentally alone during her
distress, he makes no move to use the occasion as an excuse to “comfort” her
with his advances. His reaction is, in fact, quite the opposite:

 "I
am afraid you have been long desiring my absence, nor have I anything to plead
in excuse of my stay, but real, though unavailing, concern.”

Another opportunity arises for Darcy to compel Elizabeth to
marry him, this time out of gratitude. Unable to see Elizabeth so wretched, he
finds Lydia and Wickham in London and, at great expense, convinces them to
marry. He saves not only her sister’s reputation but that of her entire family.
Yet rather than use that as an example to Elizabeth of what a good person he
is, he forbids her aunt and uncle from mentioning that it was he who saved the
Bennets’ good name. Elizabeth doesn’t even know he was involved until Lydia
thoughtlessly gives the game away (after she, too, was sworn to secrecy).  

How then, do Lizzy and Darcy get together? It is Elizabeth
herself who gives Darcy a reason to believe her opinion of him has improved.
During a verbal duel with Darcy’s formidable aunt, she comes out the winner and
point-blank refuses to give Lady Catherine a promise not to pursue Mr. Darcy.
Lady Catherine petulantly tries to cut the problem off at the source by
relating everything to her nephew. It works about as well as you’d expect.

 But, unluckily
for her ladyship, its effect had been exactly contrariwise.

   "It taught me to hope,“ said he,
“as I had scarcely ever allowed myself to hope before. I knew enough of
your disposition to be certain, that had you been absolutely, irrevocably
decided against me, you would have acknowledged it to Lady Catherine, frankly
and openly.”

What prompts Darcy to renew his offer of marriage is nothing
more or less than evidence that Elizabeth had seen his change of heart and
accepted it.

“You are too generous
to trifle with me. If your feelings are still what they were last April, tell
me so at once.My affections
and wishes are unchanged; but one word from you will silence me on this subject
for ever.”

Above is Darcy’s second proposal. After hearing her first
rejection, he takes her at her word, respectfully gives her information that
might have led her to mistaken conclusions about him, leaves even before he is
asked to, reforms his own behavior, never takes advantage of their being alone
to make unwanted advances, assists her and her family without taking any
credit, and once he has seen enough signs to think she might accept him, renews
his offer once and only once. If she says no again, unlike Collins, he will not
continue to pester her or seek her out. He will not try to convince her that
her decision was wrong. It is a sad statement on society that this is a
remarkable thing, no less in the real world than in fiction, and all too
prevalent in heroes of romance even two hundred years later. There is no
shortage of love interests who mistake passion for permission, conflict for
consent, and adversity for flirtation—but there is also no excuse for this to
continue, particularly now. If a novel published in 1813 can understand the letter and spirit of
consent, I think we can do better in our own time.

thalassophile

(noun) A rare word, thalassophile is defined as a lover of the ocean. A  thalassophile appreciate the calm and violent beauty of the sea, as well as its natural duality between vulnerability and strength. Water is the only element which is simultaneously strong to cause an uprising, but delicate enough to sneak into the Earth’s smallest creaks. (via lvcyfer)